GuitarWorld.com's latest readers poll—the first annual Jim Dunlop Effect Pedal Throwdown—has reached Round 3!
For the past month, we've been pitting Dunlop, MXR and Way Huge pedals against each other in a no-holds-barred shootout. Now the competition is guaranteed to get even tougher.
Therefore, we're pulling out all the stomps! Sixteen stompboxes will go head to head — or toe to toe, if you prefer — leading up to the king of Dunlop/MXR/Way Huge pedals.
You can check out the current bracket — with all 32 competing pedals that starting things off in Round 1 — in the Scribd.com window below (Be sure to click on the "full screen" button in the lower-right-hand corner to expand the bracket).
The bracket is updated after (almost) every matchup, and matchups will take place pretty much every day, excluding weekends. Each competing pedal will accompanied by a demo video created by the Jim Dunlop company, and you'll always find a photo gallery of the competing pedals at the bottom of each matchup.
Today's Matchup
In today's matchup, the MXR M75 Super Badass Distortion goes foot to foot against the Way Huge WHE202 Green Rhino Overdrive. Start voting below!
YESTERDAY'S RESULTS: Yesterday, the Dunlop 535Q Cry Baby Multi-Wah (53.58 percent) destroyed the Dunlop ZW95 Zakk Wylde Signature Cry Baby (46.42 percent) to advance to the next round! To see all the matchups that have taken place so far, head HERE. Thanks for voting!
Meet the Combatants
Designed by the award-winning MXR Custom Badass team, the Super Badass Distortion puts decades of 100 percent analog distortion at your feet. With its highly responsive Distortion control, the Super Badass covers a full spectrum, from early Seventies low gain overdrive to modern “scooped” metal distortion and every shade of dirt in between.
Once you’ve dialed in your desired amount of crunch, you can use the Bass, Mid and Treble controls to finely sculpt your sound.
Way Huge WHE202 Green Rhino Overdrive
The legendary Way Huge Green Rhino has returned! The Mk II has all the gorgeous classic overdrive that you crave but it has evolved to include cool new features that make it even more rhinoceriffic.
In addition to the Volume, Tone, and Drive controls, you get a 100Hz EQ knob to cut or boost your low end by 12dB. Your low notes can either shake the ground like a stampede across the savannah or cut through the mix like a charging rhino’s horn. This pachyderm of a pedal also sports a Curve control to fine-tune the corner frequencies of your tone. All this amazing tone shaping makes other overdrives seem boring and one-dimensional by comparison. In front of a clean amp, with the Volume and Drive set at noon, you can go from pristine purity to a punchy, dynamic rhythm tone.
Set the Drive low and crank the Volume and add tons of boost to wallop the input of any amp. Turn up the Drive control with the Rhino in front of a distorted channel and hear more gain and sustain than you ever thought your amp was capable of. And no matter how you use it, the Green Rhino Mk II will deliver clean operation, quiet relay-based true-bypass switching, and the rock-solid construction that Way Huge is famous for.
