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Thrash Course with Dave Davidson: Combining Two Popular Arpeggio-Playing Techniques to Create Fluid Phrases

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These videos and audio files are bonus content related to the February 2015 issue of Guitar World. For the full range of interviews, features, tabs and more, pick up the new issue on newsstands now or at the Guitar World Online Store.

Two techniques most rock lead guitarists are familiar with are sweep picking and fretboard tapping, both of which are often employed to perform arpeggios.

Sweeping, like strumming, involves quickly dragging the pick across several adjacent strings in a single downward or upward motion, except when sweeping you try to mute and silence each string with the fret hand immediately after picking it, as opposed to holding down a shape and allowing the notes to ring together like a chord.

Tapping entails using either a pick-hand fingertip or the edge of a pick to hammer-on a note on a single string at a specific fret. In this column, I’d like to demonstrate ways to combine the two techniques to create great sounding licks that can easily be moved around the fretboard.


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